Time and location TBC - more details available soon.

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Private recital in Kew.

Please contact Coady for further details.

Coady Green performs at Boroondara Arts Centre: ‘Two Visions of the Sonata: Liszt and Kouvaras’.

Further details to be announced soon.

Meditations on love, death, memory, and what remains

Erik Satie’s luminous Socrate, performed by soprano Lily Flynn and pianist Coady Green, offers a serene, translucent meditation on the philosopher’s final hours, a work the composer called a “symphony in white.” Viktor Ullmann’s Die Weise von Liebe und Tod des Cornets Christoph Rilke, with actor Paul English and Green, transforms Rilke’s prose poem into a hallucinatory wartime monodrama composed in Theresienstadt before Ullmann’s death in Auschwitz. The program concludes with a world-premiere preview of Linda Kouvaras’s The Boarding House, Carlton, 1972: Those that Remain, narrated by Tiriki Onus with baritone Nicholas Dinopoulos on text by Richard Ward, a searing reimagining of memory, violence, and 1970s Melbourne.

fortyfivedownstairs, 45 Flinders Lane, Naarm (Melbourne), VIC 3000

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Melbourne string quartet The Crossing Machine (violinists Marianne Rothschild and Matthew Rigby, violist Margaret Butcher and cellist Charlotte Jacke) will be joined by vocalist Jordan Z to perform The Juliet Letters, the genre-defying song cycle created by Elvis Costello in collaboration with The Brodsky Quartet. Originally released in 1993, The Juliet Letters is a sequence of letters written to Shakespeare’s Juliet, revealing a gallery of fractured lives, longing, regret, and dark wit. Since beginning this project in 2018, The Crossing Machine has been breathing new life into the work, approaching it with deep respect for the score while bringing a distinctly contemporary energy and emotional clarity. The quartet is currently in the final stages of an exciting new CD release and this performance forms part of a small number of anticipated launch concerts planned for 2026.

fortyfivedownstairs, 45 Flinders Lane, Naarm (Melbourne), VIC 3000

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A rare opportunity to encounter one of the twentieth century’s great visionary masterworks: Olivier Messiaen’s Visions de l’Amen, performed by Coady Green and Marc Peloquin on two pianos. Composed during the Second World War, this vast, mystical meditation moves from creation and love to judgment and eternity, revealing Messiaen as theologian, mystic, and ecstatic colourist. The program opens with Delphi Songs by Meta Cohen, performed by Jessica Aszodi and Coady Green, a haunting cycle inspired by prophecy and the final Oracle of Delphi, whose voice foretold the end of her own sacred order. Spanning millennia, Cohen’s work contemplates revelation, authority, and the fading boundary between divine utterance and human mortality.

fortyfivedownstairs, 45 Flinders Lane, Naarm (Melbourne), VIC 3000

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Tenor Michael Petruccelli and pianist Andrea Katz explore the many sides of love through poetry and songs that shaped the musical landscape of two centuries. To mark the 50th anniversary of Benjamin Britten’s death, the duo pairs his expressive 20th-century works with the timeless lyricism of Franz Schubert, one of Britten’s favourite composers. The first half follows Britten from the high energy of On This Island to the quiet, sacred reflection of Canticle I, including the bright piano solo Sailing. The second half turns to Schubert, moving through the peace of Du bist die Ruh and the tenderness of the famous Ständchen, before closing with the poignant Abschied von der Erde. Together, these pieces offer a thoughtful look at devotion and the human heart.

fortyfivedownstairs, 45 Flinders Lane, Naarm (Melbourne), VIC 3000

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Performers Josephine Vains (cello), Sofija Kirsanova (violin), Coady Green (piano), and Ricardo Roche Idini (piano) combine forces in this expansive celebration of Romantic colour, vitality, and collective virtuosity. The program begins with the complete set of 21 Hungarian Dances by Johannes Brahms. Arranged for piano four hands, violin and cello, and overflowing with melodic buoyancy, rhythmic bite and emotional depth, these dances remain among Brahms’s most captivating works. This is followed by Franz Liszt’s blazingly virtuosic Hungarian Rhapsody, also arranged for piano four hands with strings, and an arrangement of Felix Mendelssohn’s exuberant Symphony No. 4, the Italian, whose sunlit energy and lyrical sweep bring the concert to a jubilant close.

fortyfivedownstairs, 45 Flinders Lane, Naarm (Melbourne), VIC 3000

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Opening with Bellini’s rarely heard overture on the warring Montagues and Capulets, this celebration of Shakespeare’s timeless love story continues with Linda Kouvaras’ The Nurse’s Curse from She Who Should Have Been a Queen, Bernstein’s Symphonic Dances from West Side Story for two pianos, the Australian premiere of Tchaikovsky’s epic Romeo and Juliet Overture arranged for two pianos by Karl Klindworth, and Ned Rorem’s Four Dialogues, a witty and lyrical set for two voices and two pianos. Performers include pianists Coady Green and Marc Peloquin.

fortyfivedownstairs, 45 Flinders Lane, Naarm (Melbourne), VIC 3000

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Pulitzer Prize-winning composer David Del Tredici was one of the first major classical composers to fully embrace queerness in a radical act of joy, eroticism, and defiance. This concert highlights two sides of Del Tredici’s queer expression. There’s the outrageously camp My Favourite Penis Poems – a virtuosic, hilarious, and unabashed song cycle setting his favourite poems on the rise and fall of His Majesty, the Penis – and the deeply moving Gay Life – a meditative and tender exploration of queer identity, composed in 2001. Both works receive their Australian premieres, performed by a sensational ensemble of musicians including acclaimed American pianist and Del Tredici’s longtime friend, Marc Peloquin, baritone Bailey Montgomerie, and soprano Sophie Bissett.

fortyfivedownstairs, 45 Flinders Lane, Naarm (Melbourne), VIC 3000

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Inspired by Dante’s La Commedia, this evocative program traces a journey from the torments of Inferno to the redemptive vision of Paradise. Liszt’s monumental Après une lecture du Dante features amongst a sequence of works exploring Dante’s most compelling figures, including the tragic Francesca da Rimini. At the heart of the concert is the world-premiere of Gordon Kerry’s major song cycle Dante and Beatrice, performed by soprano Rachel Joyce, mezzo-soprano Jessica Aszodi, tenor Boyd Owen, and baritone Bailey Montgomerie. Drawing on Sir Samuel Griffith’s English translation (OUP, 1911), with story adaptation by Margot Costanzo and libretto by Costanzo and Kerry, the cycle charts Dante’s spiritual passage toward Beatrice. Music by Granados and new commissions, including Gulliver Poole’s Paper Love, create an unmissable Dantean tableau.

fortyfivedownstairs, 45 Flinders Lane, Naarm (Melbourne), VIC 3000

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Inspired by Dante’s La Commedia, this evocative program traces a journey from the torments of Inferno to the redemptive vision of Paradise. Liszt’s monumental Après une lecture du Dante features amongst a sequence of works exploring Dante’s most compelling figures, including the tragic Francesca da Rimini. At the heart of the concert is the world-premiere of Gordon Kerry’s major song cycle Dante and Beatrice, performed by soprano Rachel Joyce, mezzo-soprano Jessica Aszodi, tenor Boyd Owen, and baritone Bailey Montgomerie. Drawing on Sir Samuel Griffith’s English translation (OUP, 1911), with story adaptation by Margot Costanzo and libretto by Costanzo and Kerry, the cycle charts Dante’s spiritual passage toward Beatrice. Music by Granados and new commissions, including Gulliver Poole’s Paper Love, create an unmissable Dantean tableau.

fortyfivedownstairs, 45 Flinders Lane, Naarm (Melbourne), VIC 3000

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To open the 2026 Chamber Music Festival, pianists Coady Green, Ian Munro and Charlotte Roberts will be joined by renowned actor Helen Morse to present a program inspired by the Bard – Edward MacDowell’s Hamlet and Ophelia Opus 22 arranged for two pianos, Sally Beamish’s Sonnets for three pianists on two pianos (narrated by Morse), Liszt’s Hamlet S.644 arranged for two pianos, and Mendelssohn’s Midsummer Night’s Dream Opus 61 arranged for four hands (narrated by Morse).

fortyfivedownstairs, 45 Flinders Lane, Naarm (Melbourne), VIC 3000

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Soprano Genevieve Gray and pianist Ricardo Roche Idini trace a luminous path through the golden age of Viennese song. From the lush romanticism of Korngold and Marx to the fin-de-siècle lyricism of Zemlinsky and the rare voice of Mathilde Kralik, the program culminates in Schoenberg’s early expressionist sound world — a portrait of Vienna in transformation, where beauty and modernity intertwine.

Time and location TBC

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Featuring pianists Coady Green & Ricardo Roche-Idini // a program of piano music electrifying and intimate // heart-stopping virtuosity and heart-aching sensitivity // music old and new

This concert is a fundraiser for the commissioning and recording of a new piano suite by emerging local queer & trans composer Bryn Renard.

PROGRAM:

Beethoven/Czerny: Symphony No. 5 (arr. for piano four hands)
Liszt: Hungarian Rhapsodies No. 2 & 3 (arr. for piano four hands)
Linda Kouvaras: 3 St Kilda Sketches
Bryn Renard: queer being, queer being
Meta Cohen: The Warning Never Heard

272 Rae St, Fitzroy North, Naarm (Melbourne)

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Beethoven’s Ninth as Four Hands and Four Voices invites listeners to experience a masterpiece through a different lens. In Carl Czerny’s remarkable arrangement, Beethoven’s Ninth Symphony is distilled into the intimacy of piano four hands, performed by international concert pianist Coady Green and Chilean star-pianist Ricardo Roche, with soprano, mezzo-soprano, alto and baritone soloists bringing the final movement to life. Stripped of orchestra but rich in colour and clarity, this version reveals the symphony’s inner workings - its drive, its tenderness, and the unmistakable glow of the “Ode to Joy.” Join us on March 29th to hear it in all its glory!

Saint Mark’s Anglican Church
250 George Street, Fitzroy Victoria 3065

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Join 3MBS for a spectacular afternoon of music—presented in collaboration with the City of Boroondara—celebrating the beauty and power of nature through music in Hawthorn Arts Centre's majestic Main Hall.

Music of the Seasons  brings together some of Victoria’s finest classical artists in a vibrant program inspired by the changing seasons.

Evocative art song, intimate solo works, rich chamber music​ and stirring choral pieces come together in performances by a dynamic lineup, including mezzo-soprano Chloe James, the Choir of Trinity College Melbourne, pianist Coady Green and Collide Ensemble.

A tribute to the rhythms of nature and the remarkable artistry of our city, this concert embodies 3MBS’s mission to share the beauty of classical music with all Melburnians.

Hawthorn Arts Centre
Level 1/360 Burwood Rd, Hawthorn VIC 3122

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Private recital in Hawthorne.

Coady Green joins pianist Charlotte Roberts for a dazzling performance of Mendelssohn’s A Midsummer Night’s Dreamin the composer’s own virtuosic arrangement for piano four hands. Evoking the magic, mischief, and lyricism of Shakespeare’s enchanted world, this program celebrates the interplay between youthful imagination and seasoned artistry.

Please contact Coady for further details.

TWO RIVETING ONE-ACT IRISH OPERAS.

Dynamic composer Emma O’Halloran has turned two of her uncle Mark O’Halloran’s plays into a critically acclaimed, Grammy-nominated opera double bill.

MARY MOTORHEAD: Mary has been locked up after stabbing her husband in the head with a 12-inch carving knife. She reveals aspects of her background that shaped her nature and limited her life choices - her "secret history".       

TRADE: An encounter between a young man and his middle-aged client in a seedy hotel room exposes a painful portrait of power dynamics and vulnerabilities in an unequal relationship.

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Malthouse Theatre
113 Sturt St Southbank VIC 3006

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TWO RIVETING ONE-ACT IRISH OPERAS.

Dynamic composer Emma O’Halloran has turned two of her uncle Mark O’Halloran’s plays into a critically acclaimed, Grammy-nominated opera double bill.

MARY MOTORHEAD: Mary has been locked up after stabbing her husband in the head with a 12-inch carving knife. She reveals aspects of her background that shaped her nature and limited her life choices - her "secret history".       

TRADE: An encounter between a young man and his middle-aged client in a seedy hotel room exposes a painful portrait of power dynamics and vulnerabilities in an unequal relationship.

-

Malthouse Theatre
113 Sturt St Southbank VIC 3006

MORE INFO

TWO RIVETING ONE-ACT IRISH OPERAS.

Dynamic composer Emma O’Halloran has turned two of her uncle Mark O’Halloran’s plays into a critically acclaimed, Grammy-nominated opera double bill.

MARY MOTORHEAD: Mary has been locked up after stabbing her husband in the head with a 12-inch carving knife. She reveals aspects of her background that shaped her nature and limited her life choices - her "secret history".       

TRADE: An encounter between a young man and his middle-aged client in a seedy hotel room exposes a painful portrait of power dynamics and vulnerabilities in an unequal relationship.

-

Malthouse Theatre
113 Sturt St Southbank VIC 3006

MORE INFO

TWO RIVETING ONE-ACT IRISH OPERAS.

Dynamic composer Emma O’Halloran has turned two of her uncle Mark O’Halloran’s plays into a critically acclaimed, Grammy-nominated opera double bill.

MARY MOTORHEAD: Mary has been locked up after stabbing her husband in the head with a 12-inch carving knife. She reveals aspects of her background that shaped her nature and limited her life choices - her "secret history".       

TRADE: An encounter between a young man and his middle-aged client in a seedy hotel room exposes a painful portrait of power dynamics and vulnerabilities in an unequal relationship.

-

Malthouse Theatre
113 Sturt St Southbank VIC 3006

MORE INFO

TWO RIVETING ONE-ACT IRISH OPERAS.

Dynamic composer Emma O’Halloran has turned two of her uncle Mark O’Halloran’s plays into a critically acclaimed, Grammy-nominated opera double bill.

MARY MOTORHEAD: Mary has been locked up after stabbing her husband in the head with a 12-inch carving knife. She reveals aspects of her background that shaped her nature and limited her life choices - her "secret history".       

TRADE: An encounter between a young man and his middle-aged client in a seedy hotel room exposes a painful portrait of power dynamics and vulnerabilities in an unequal relationship.

-

Malthouse Theatre
113 Sturt St Southbank VIC 3006

MORE INFO

TWO RIVETING ONE-ACT IRISH OPERAS.

Dynamic composer Emma O’Halloran has turned two of her uncle Mark O’Halloran’s plays into a critically acclaimed, Grammy-nominated opera double bill.

MARY MOTORHEAD: Mary has been locked up after stabbing her husband in the head with a 12-inch carving knife. She reveals aspects of her background that shaped her nature and limited her life choices - her "secret history".       

TRADE: An encounter between a young man and his middle-aged client in a seedy hotel room exposes a painful portrait of power dynamics and vulnerabilities in an unequal relationship.

-

Malthouse Theatre
113 Sturt St Southbank VIC 3006

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Coady Green and Ricardo Roche Idini, piano

Auburn Uniting Church presents international concert pianists Coady Green and Ricardo Roche Idini in a programme of music for piano four hands. This recital is the first on the recently acquired Kawai piano, chosen to suit the superb acoustic of Auburn Uniting Church auditorium.

The programme will consist of eight Liszt Rhapsodies (Nos 1, 2, 3, 4, 5, 6, 16 and 19) arranged for piano four hands by the composer himself.

Auburn Uniting Church
Oxley Road (corner Hepburn St), Hawthorn Victoria 3122

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Glenn Riddle & Coady Green, piano

Two of Melbourne's most sought after performers and piano teachers, Glenn Riddle and Coady Green, will this year embark on a recording project featuring as-yet-unrecorded four hand works by Czerny, a student of Beethoven who himself gained fame for his enormous pedagogical output of flashy etudes for the piano.

In this concert, Glenn and Coady trace a lineage between three famous piano teachers and pupils: Carl Czerny, his student Franz Liszt, and in turn Liszt's student Marie Jaëll.
Each piece on this program will be an Australian Premiere performance.

PROGRAM

• Carl CZERNY Grandes variations brillantes pour le pianoforte à quatre mains sur le thême original favori colla campanella (Glöckchen Rondo), Op. 170 — Australian premiere

• Franz LISZT Mephisto Waltz No. 1, S. 514, arranged by the composer for piano four hands — Australian premiere

• Marie JAËLL Douze vals(es) et finale pour piano à quatre mains — Australian premiere

• Carl CZERNY Grand Sonata Brillante, Op. 10 — Australian premiere

Tempo Rubato
34 Breese St, Brunswick, Naarm (Melbourne), Australia

Internationally Violinist, Director renowned and Australian/British Concertmaster Rachael Beesley is guest concertmaster with numerous European orchestras and is one of the world leaders in the field of historically informed performance. She is joined by acclaimed pianist, Coady Green a ‘virtuoso pianist with sensitivity, intelligence and charm’ (Musical Opinion, London) in a program of works by Mozart and Mendelssohn.

Camberwell Uniting Church, 314 Camberwell Road, Camberwell, Naarm (Melbourne), Australia

Coady performs as part of the All Saint’s Church Series, St Kilda, featuring a program of Bach/Brahms; Liszt Harmonies poetiques et religieuses selections, and Meta Cohen’sThe Warning Never Heard.

All Saints' Anglican Church, East St Kilda
2 Chapel Street, East St Kilda, VIC 3182, Australia, Naarm (Melbourne), Australia

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Private recital in Hawthorne.

Coady Green joins pianist Charlotte Roberts for a dazzling performance of Mendelssohn’s A Midsummer Night’s Dreamin the composer’s own virtuosic arrangement for piano four hands. Evoking the magic, mischief, and lyricism of Shakespeare’s enchanted world, this program celebrates the interplay between youthful imagination and seasoned artistry.

Please contact Coady for further details.